It’s a Creative Zen Stone that I got as a Christmas gift in 2008. I just found it in a drawer, and it’s still holding charge. The last thing I put on it was The Life And Times Of Scrooge by Tuomas Holopainen, in 2015 – I don’t know why, at that time I definitely had a smartphone.
It has a headphone jack, which immediately makes it better than every smartphone produced in the last several years, and it can easily drive my 80-ohm Beyerdynamic. The audio quality is as good as one can expect. The only drawback is that it only holds 1GB… my old CD rips had to be compressed to hell and back.
Let me reiterate that this has been sitting untouched for a decade and was immediately ready for action. No login, no annoying software updates, expired subscription, or remote bricking by the manufacturer. Eat my shorts, Spotify Car Thing.
P.s. A Lifetime Of Adventure is a banger. https://www.youtube.com/watch?v=JWwSVOo5K_k
I think in a different life I might have ended up on your path and I appreciate how much it is the right one for many. I’ll toss out a few more comments (mainly cause I am trying to contribute to Lemmy both monetarily and by not just lurking).
I love the fidelity of Apple Music which is what I use—it is certainly much better than my CD collection ever was. I don’t even bother using the lossless option as I cannot tell the difference. I usually have about 50GB of music sync’d to my devices and my wife and I camp without cell service often.
I carefully curate my music collection. I have about 5000 songs I love neatly sorted into decade playlists plus specialty playlists. I keep a textual backup of my playlists in addition to exported playlist backups to allow me to recover from pretty much any issue including apple account loss.
I rarely see removed songs, but do occasionally see them. Since my library is well curated it is easy to see which tracks are unavailable. I would guess I have been impacted on less than 0.1%.
It is extremely rare for me to not find the songs I want on Apple Music, but I have uploaded many tracks to Apple Music that I had to procure from other locations. The most common ones have been live tracks, soundtracks and mixes. At that point they work just like any other music in my library.
It’s been a pretty good experience—not one I would have predicted 20 years ago.
I wasn’t trying to say streaming is wrong, I definitely use it from time to time, and though I trend heavily towards BandCamp and Soulseek I’ll cop to fidelity rarely being important for me outside of certain genres with heavier bass or effects that make flac worthwhile. Generally it’s very diminished returns for bloated file size - especially so on mobile devices and Bluetooth/car playback
I have both fringe and mainstream taste, so I do semi-regularly encounter outright missing artists/groups, or occasionally entire genres, especially so in electronic - that alone is worth the effort of building and managing a collection to me. It is very disappointing to find an artist available via streaming, but not their self released/indie albums because of licensing agreements
You can upload your tracks to the cloud storage for later streaming? That’s actually pretty neat, and solves a lot of the ‘wrong’ live version/acoustic rendition/etc problems nicely.
Tbh same! Looking at the music industry after the vinyl era where pressing was cheaper but albums weren’t, it’s nice that they eventually were dragged kicking and screaming to digital distribution - “piracy is a service problem” and they refused to learn for decades while disruptive competition grew online
Damn I love music! Thanks for sharing your passion with me!