• GissaMittJobb@lemmy.ml
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    1 year ago

    In effect, yes. Given that ~70% of revenue goes to rights holders, making the amount of revenue bigger by not paying 30% of subscriptions to Google, the savings are passed on to rights holders.

    • selokichtli@lemmy.ml
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      1 year ago

      So, not exactly to the artists. I get the impression you seem to know quite a lot about the deal, can you try to analyze how this 70% gets divided?

        • selokichtli@lemmy.ml
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          1 year ago

          I suspected that much, it must be a complicated matter with many different cases, considering how music is produced. Thank you for your insight.

          • GissaMittJobb@lemmy.ml
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            1 year ago

            Any time.

            To be clear, I don’t think this should be taken as a defense of Spotify. I just think that these misconceptions distract from more valid criticisms.

    • devils_advocate@lemmy.ml
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      1 year ago

      70% of revenue goes to rights holders.

      Thus could mean that 69% of revenues go to rights holders A and B and 1% of revenues are spread between holders C - Z.

      • GissaMittJobb@lemmy.ml
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        1 year ago

        …I mean, 30% of the savings go to Spotify, so some part of it will indeed go to stock buybacks and executive salaries. Some of it will go to regular employee salaries, and some of it will go to pay for technical infrastructure, and some of it will go to pay for offices. Some of it will be spent on marketing, even.

        70% of it will go to rights holders, though.

          • GissaMittJobb@lemmy.ml
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            1 year ago

            Again, not true - the royalty payments are based on revenue, not profit.

            To understand how absurd the claim that royalty payments are based on profits is, consider that Spotify has had a grand total of two profitable quarters throughout its whole existence - are you seriously claiming that no artist ever got paid outside those two quarters?