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Oh snap. This is one of the first (socialist) memes I ever made! The timestamp on my GIMP file says 2019-04-15.
Wait so you have the full resolution first image? Please share it here and I will change it!!
The original is only 720x720, but it is sharper. I probably stuck with the resolution of the comic panel.
I changed it. Thanks!
I once climbed the tallest mountain in all of Tamriel, met a wise ancient dragon as old as time, this is what he told me
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Elder Scrolls has the decency at least to be like “look, no one knows if fate ordained you to be the guy, or if you just happened to stumble in to this shit, but if you walk the walk and talk the talk the universe will shrug and go along with it.”
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Historians wake up every morning, wash their faces, sharpen their quills, and spend the guild recommended twenty minutes cussing out Akatosh before they begin their day.
I do love the concept of Dragon Breaks tho. They reinforce the idea that Nirn is fragile and badly designed. Half the backers pulled out mid-project and the hole they ripped in the firmament is now referred to as the sun. Magicka leaks through from Aetherius which was apparently not part of the design documents. The planets are the corpse-bodies of the gods who made themselves static and unchanging to form the governing laws of reality. The Aedra all died in the act of creating Nirn, but not really, because what does death even mean for an eternal embodied concept? so they’re surprisingly sprightly for dead people. The Daedra sit outside all of this utterly enraptured by concepts like “mortality” and “change” that they cannot understand or really experience. Their refusal to participate denied them Time, Growth, and Change. Their perfect chaos is static and leaden, and so they covet reality. If you understand the rules of time, history, causality, you can dance with the universe and change them. Nirn is The Arena, a place of constant struggle and conflict, and the battlefield includes not just the basins of Nibenay or the Ashlands of Morrowind but time, space, death, magic, and endless possible futures. Nirn is collapsed in to an endless cycle of cycles which only the wisest can perceive and seek to escape. Beings from ancient Kalpas lurk in the strange places of the world, demi-gods, monsters, things that should not be possible.
It’s all delightfully weird. Once you dig under the skin the world is nothing like Tolkien. In Tolkien the conflict between Elves and Men grew from the Edain coveting the immortality of the Eldar. In Nirn Men and Mer have been in eternal conflict (except it’s not nearly that simple) because the Mer (or at least the high Thalmor) view Nirn as a prison that ripped them away from their nature as immortal primal spirits, while Men view Nirn as the gift of Lorkhan Doom Drum and a crucible for attaining transcendence. Except only nerds think it’s that simple. And if anyone break dances hard enough on the towers that pin dead creation in place they can change the rules entirely. Everything and anything is possible, but be careful or you might rip down the whole edifice.
Idk, I deeply love it. The setting and weirdness underlying the setting has been very important to me. Concepts like turning the wheel on it’s side, of love being an act of self-annihilating violence, of CHIM being a state of self-awareness of one’ ephemerality but illogically asserting one’s reality and identity in the face of that ephemerality have all helped me get through a whole lot of shit over the years.
Plus I just love the idea that the gods are divided in to Aedra, “Our Ancestors”, and Daedra, “Not our ancestors” and the Dunmer (the dark elves, except “Dark” refers to their dour, sour, or sullen mood rather than their dark skin) decided “Fuck that we’re going to hang out with our cool wine aunts Azura, Boethia, and Mephala y’all have fun with your dork ancestors while we learn how to have secret murder sex.”
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Dwemer probably came closest to understand it and went “fuck it, stop, we are getting off” obligatory leaving the slowest one behind.
I think the problem with the quote is even more fundamental, because it’s basically doing the D&D “some beings are just ontologically evil” thing with the later-D&D “complexity” of “but what if there are, sometimes, exceptions who overcome their tainted blood to become ontologically good” in a way that also effectively absolves Paarthurnax of guilt for his own crimes by just going “lmao, just dragon nature, nothing I could do you see, had to really work my way up to neutral from ontologically evil you know!”
It’s also shitty writing because it dodges the question of guilt altogether: the argument becomes about some sort of internal being-good-and-thinking-good vs being-bad-and-thinking-bad dichotomy instead of the material effects of his actions and the factions he materially aided or opposed. As part of the hegemonic dragon empire Paarthurnax would have done monstrous things, fought to maintain an ontologically evil system, and personally benefited considerably from that system, and the only question is whether switching sides at the end and then entering a self-imposed exile is enough to redeem him and absolve him of guilt.
Also he’s still a monarchist after all that time and thus is still ontologically evil anyways, so he’s not even good he’s just worked his way up from “literally eats people” to “at least tacitly supports a system that figuratively eats people.”
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Honestly it just finally crystalized for me why that quote has always pissed me off when redditors hold it up as some sort of deep philosophical statement when it is, at best, a cheap rehashing of the also-hacky Clockwork Orange theme of being made to be good vs choosing to be good, and I had to articulate it while it was fresh in my mind.
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Human nature consists almost entirely of girls born after 450,000bce can’t cook. All they know is develop language spontaneously, throw objects accurately with great force, mammalian dive reflex, theory of mind, and walk efficiently at a steady pace
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What about human nurture motherfucker?